Fuji Superia X-TRA 3 Pack ISO 400 36 Exp. 35mm Film, Total 108 Exposures

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As comfort level increases and a photo geek becomes more experienced, it’s not uncommon to find shooters who talk of Superia in the same breath as some seriously revered professional films, such as Ektar and Portra. And while a seasoned pro can certainly spot the difference between Superia and these other amazing films, for most amateurs and enthusiasts, Superia looks just as sweet. It’s this capability and versatility that makes Superia easy to recommend as a first film. And even for seasoned veterans, the way that it shines in all shooting situations makes it one of the best films around. I guess we’ll be seeing more of Superia 400 as Fuji are apparently discontinuing PRO400H. I’ve been using both of these in the last couple of years and where PRO400H has given me great results at 120 in a Rolleiflex (that takes pretty good pics on anything) I haven’t seen anything that justifies the substantial additional cost over Superia on 35mm. All of this makes sense since, Superia was produced to be consumer-grade, for the most part, people only really had 35mm cameras so there wasn’t much point in producing medium or large format film. Can You Shoot Them Out-Of-Date? I came to Fuji after some terrible experiences with Kodak. Kodak do great movie film but seem to have taken their eye off the ball with still film. I've used the Fuji film all round the world and every time I'm amazed by just how good it is. Don't forget that the quality of the printing makes all the difference. A good digital minilab is essential. In the UK, Boots do a good service but make sure they do it in-store on a Fuji digital minilab.

Fujifilm Superia X-TRA 400 35mm film review | Digital Camera

All current films in the Superia range list the following layer composition in their product information. This is all down to Portra having a better exposure latitude. And, while that is definitely true, I had to look closely to find this difference so I’d be happy to say that Fuji has good exposure latitude, it’s just that Portra has great exposure latitude. I’ve tweaked this recipe to my liking, I’ve explained the changes and the reasons behind them here: https://nicolas.petton.fr/blog/superia-like-recipe.html All this being said, Superia’s biggest claim to fame is its color rendition, which is simply fantastic. The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia. This film absolutely shines when capturing vibrant scenes of the natural world, as well as bustling urban cityscapes. Colors are saturated without looking garish, and blues and greens render beautifully. The only caveat with Superia 400’s color rendition in daylight is that it might have a tendency to render lighter skins with a pinkish tone that may be unflattering for portraiture. On balance, over-exposure can help with this as well. As we increase the exposure times we see a shift that pushes dark tones closer to the highlights, tightening the curve, rendering skin brighter and making contrast from facial shadows less visible. What is the meaning of freedom of expression for photographers around the world? We take a closer look at some important figures of photojournalism and explore the theme of freedom in photography. 11 Share TweetIf you don’t know the storage history of your roll of film then I’d say it’s safe to assume that it’ll be fine up to 10 years out-of-date. After 10 years you’ll have to adjust and maybe overexpose a little bit. Final Word Overall, it’s safe to say that Superia’s best feature is its dynamic range. This makes it a forgiving film , suitable for plastic toy cameras , old cameras with less-than-reliable shutters, and for metering using the Sunny 16 rule . It is also an excellent film to shoot in high-contrast scenes such as high noon and night photography .

Fujifilm Superia (200, 400, 800 and 1600) Film Review: Fujifilm Superia (200, 400, 800 and 1600)

Let’s find a little bit about the film and then how I found the experience of shooting a set of fast colour negatives. History The best ISO400 film I’ve tried is Lomography’s 400CN, but even that isn’t stunning. I’m not sure what emulsion that is based on. True processless technology allows the plate to be imaged & mounted directly o press forimmediate use Next you’ll do the same with contrast straight off a scan. For me, I actually prefer not very much contrast as I only scan, never enlarge, so I like fine tuning contrast in LR after I’ve scanned. Every time I do these comparisons I get traditionalists who are upset that I focus so much attention on scanning. To you folks, I would remind you that the same things that make a negative good for printmaking are also good things for scanning and just because I don’t go through the full enlarging process here doesn’t make this study less valid, even for folks who do. The '4th' cyan colour layer was designed to provide improved colour reproduction under fluorescent lighting, although use of filters is still recommended. Later films dropped the 4th layer (see Superia 400 X-tra and Premium 400).No processing means the elimination of processing chemicals and the associated costs, saving the customer significant time and money – all without compromise in quality. Compatible with most thermal platesetters, Fujifilm’s SUPERIA Ecomaxx-T is a non-ablative plate that carries a latent image with distinct contrast, allowing for simple inspection after imaging.

Fujifilm Superia X-Tra - 35mm Film - Analogue Wonderland Fujifilm Superia X-Tra - 35mm Film - Analogue Wonderland

As a necessary part of the printing process, sundries can be the difference between meeting or missing a deadline. Our network provides access to a complete portfolio of high quality ancillary products. In more recent times, for photography, they embraced digital and almost created their own niche of small compact cameras.They even leveraged their history in film and created some very respected film simulations from these cameras.In terms of the film manufacturing, they also adapted this to making products like cosmetics. Their precision beats and the serious demeanor with which they drummed was mesmerizing, and the crowd’s attention was firmly fixed on the line of drummers instead of the fact that we were getting scored on. The floodlights of the stadium served to illuminate them perfectly. I pushed my way to the front of the crowd and snapped only one picture of the scene, trusting my FG’s program mode to pull through.Mathieu Aghababian is a French photographer who specializes in sports and skateboarding photography. In this interview he shares his experience shooting with the Lomography Color Negative 400 and LomoChrome Turquoise films. 1 5 Share Tweet McGee, Jim. "Fuji Press 1600/Superia 1600". Archived from the original on 2007-08-04 . Retrieved 2007-05-14. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. For the scoring sheet under price, I’ve included some default pricing scoring that are informed by these prices per frame in the US. For everyone else, you’ll want to do your own research.