There is a slight difference in noise between ISO 200 and 400 in the shadows, but both look very clean overall. The X-M1 launches with its own kit zoom - the XC 16-50mm F3.5-5.6 OIS. It's Fujifilm's first to be designated XC rather than XF, with the C apparently suggesting 'casual' or 'compact'. It offers a usefully-wider focal length than most kit zooms, and includes optical image stabilization, in a small, lightweight plastic body. Despite this Fujifilm is keen to stress that it considers the lens's optics to be a cut above the average 18-55mm F3.5-5.6 kit zooms typically sold with SLRs and mirrorless cameras.

Jméno, příjmení a pohlaví budou zpracovány za účelem přizpůsobení oslovení a výběru obsahu obchodních sdělení. Poskytnutí těchto údajů není povinné. Here are two 100% crops which have been Saved as Web - Quality 50 in Photoshop. The right-hand image has had some sharpening applied in Photoshop. The out-of-the camera images are a little soft and ideally benefit from some further sharpening in a program like Adobe Photoshop. You can also change the in-camera sharpening level. Operating the camera and navigating the menu system is a breeze. While the camera technically has ISO boost levels up to 25,600, you cannot shoot anything above ISO 6400 on the X-M1. Unfortunately, the same problem is present on all current X series cameras. I do not understand why Fuji does not allow shooting RAW at boosted ISO levels such as ISO 100, 12,800 and 25,600. There might be a technical reason for this, but it pretty much makes the camera useless for shooting high ISOs above 6400 for those that prefer RAW over JPEG. The X-M1's rear LCD screen attempts to redress the balance by offering the ability to tilt it up or down from a high 85° angle to a low 90° angle, perfect for both overhead and low-down shooting. With a resolution of 920K dots, it's twice as detailed as the screen on the X-E1, but sometimes proved to be a little hard to see in the unusually bright British sunlight that we predominantly tested the camera in. ISO 800 clearly adds more noise to the image (especially in the shadows), as can be seen from the sample crop above. High ISO Performance (ISO 1600-6400) – RAWThe Fujifilm X-M1's maximum shutter speed is 30 seconds in the Time shutter speed mode, and there's a Bulb mode which allows exposures up to 60 minutes long, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 25 seconds at ISO 200.

There are 9 ISO settings available on the Fujifilm X-M1 for JPEGs, and 6 for RAW files. Here are some 100% crops which show the noise levels for each ISO setting for both JPEG and RAW files. JPEG Zpracování osobních údajů je prováděno Správcem, osobní údaje však pro něj mohou zpracovávat i tito zpracovatelé: Still image JPEG (Exif Ver 2.3) *2 / RAW (RAF format) / RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible) Movie Movie File Format: MOV Considering this is the entry-level model, it’s still pretty expensive – other CSCs are available for half the price (a cheaper X-A1 model is widely rumoured but not yet announced as we go to press). However, various features position it closer to mid-range models in other ranges. There’s a hotshoe for an external flashgun, plus integrated Wi-Fi for transfers to iOS and Android devices. The articulated screen, dedicated mode dial and dual command dials also distinguish it from many cheaper rivals. At ISO 6400 some details get washed away and we are starting to see some artifacts here and there. Still, the performance at ISO 6400 is excellent. Whatever Fuji does with its JPEG processing is very impressive. High ISO Performance “Boost” (ISO 12800-25600) – JPEG

Lenses and Accessories

I navzdory celé škále funkcí usnadňujících ovládání alehké konstrukci je fotoaparát X-M1 schopen pořídit přibližně 350 snímků na jedno nabití, takže uživatelé se mohou soustředit na vlastní fotografování anemyslet na zbývající kapacitu akumulátoru. Fuji X-M1 has two extra ISO “boost” levels – ISO 12800 and ISO 25600 for extreme situations. Take a look at these: Red-eye removal OFF Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander Red-eye removal ON Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-eye Reduction & Rear-curtain Synchro / Commander Exposure is accurate in most cases, with occasional overexposure and clipped highlights (the latter can be reduced by using the DR Correction feature). Fuji cameras are well known for their very vivid colors, and the X-M1 carries on that tradition. One thing we did notice is that areas of high frequency green detail can be a bit smudged, possibly due to the X-Trans color filter. The X-M1's movie mode is similar to that of the X-E1, with the ability to record 1080/30p video with stereo sound and continuous autofocus. The dedicated movie recording button makes it easy to start taking a video in any shooting mode. While you don't have full manual control when recording videos, the aperture can be adjusted priority to shooting in 'A' or 'M' mode. Video quality is decent, though don't be surprised if moiré or rolling shutter effects make an appearance. Performance and Photo Quality